Last Friday in Buckley Recital Hall, Tomal Hossain ’17 presented his original composition, “Kundalini Rising.” Comprising of voices and electronics, Hossain’s work involved seven movements of musical material that correspond with the ethical and psychological associations espoused by each of the seven chakras. Hossain talked about the process of creating this piece and how he combined his music background with the material he’s learned while at Amherst.
Q: How would you describe your thesis and the process of creating it?
Acclaimed director Park Chan-Wook released “The Handmaiden” to great anticipation but somewhat lackluster enthusiasm. The film netted South Korea an invitation to compete in the prestigious Cannes film festival after a four-year drought, and in both premise and presentation it fulfills the promise implied by such an honor. The film finds itself amid the destitution and deprivation of Korea under Japanese occupation in the 20th century, and it follows the ambitious and admirably conceived project of a pickpocket and a conman.
Members of Amherst Musical’s “Sweeney Todd” slayed — both their performance and several of their characters. “Sweeney Todd” is the second musical since Amherst College’s revival of the annual musical, initiated with last year’s stellar outing, “Into the Woods.” After two years of successful performances, this resurrected tradition seems secure in its place.
Bryan Doniger, who you may have spotted on the first floor of Frost in a camo baseball cap and Wilco t-shirt, embraces his job as Marsh Art’s House Resident Counselor wholeheartedly. The deep love he has expressed for the house shines through his varied contributions over the past two years, first as a resident and then as a resident counselor.
Days away from opening night, I sat down with the directors, the producer and the stage manager of this year’s Amherst Musical, Stephen Sondheim’s “Sweeney Todd: The Demon Barber of Fleet Street.” This musical thriller will be performed this weekend in the Powerhouse. Producer Frank Tavares ’18, director A. Scott Parry, musical director Mark Swanson and stage manager Sophina Flores ’20 discussed the meaning of “Sweeney Todd” and the impact the revival of Amherst musicals has had on student life.
When it comes to adaptations, staying true to the source material is very difficult. Fortunately, “Sherlock” has always been good at navigating that particular problem, successfully translating Sir Arthur Conan Doyle’s stories and characters in a modern way while adding its own particular twists. However, with Season 4, “Sherlock” seems to have fallen into the problem of spending so much time expanding the show that it leaves behind what made it so entertaining in the first place.
Until now, the works of legendary playwright August Wilson have not been adapted to film, which is quite surprising given their enormous popularity. “Fences,” Wilson’s most commercially successful play, finally came to the big screen this winter. After starring alongside Viola Davis in a 2010 Broadway revival of the play, which had originally been produced in 1983, Denzel Washington directed and starred in the 2016 film adaptation while Davis also reprised her lead role.