Bryan Doniger, who you may have spotted on the first floor of Frost in a camo baseball cap and Wilco t-shirt, embraces his job as Marsh Art’s House Resident Counselor wholeheartedly. The deep love he has expressed for the house shines through his varied contributions over the past two years, first as a resident and then as a resident counselor.

Days away from opening night, I sat down with the directors, the producer and the stage manager of this year’s Amherst Musical, Stephen Sondheim’s “Sweeney Todd: The Demon Barber of Fleet Street.” This musical thriller will be performed this weekend in the Powerhouse. Producer Frank Tavares ’18, director A. Scott Parry, musical director Mark Swanson and stage manager Sophina Flores ’20 discussed the meaning of “Sweeney Todd” and the impact the revival of Amherst musicals has had on student life.

When it comes to adaptations, staying true to the source material is very difficult. Fortunately, “Sherlock” has always been good at navigating that particular problem, successfully translating Sir Arthur Conan Doyle’s stories and characters in a modern way while adding its own particular twists. However, with Season 4, “Sherlock” seems to have fallen into the problem of spending so much time expanding the show that it leaves behind what made it so entertaining in the first place.

Until now, the works of legendary playwright August Wilson have not been adapted to film, which is quite surprising given their enormous popularity. “Fences,” Wilson’s most commercially successful play, finally came to the big screen this winter. After starring alongside Viola Davis in a 2010 Broadway revival of the play, which had originally been produced in 1983, Denzel Washington directed and starred in the 2016 film adaptation while Davis also reprised her lead role.

Warning: This article contains references to sexual assault and mental illness. This book review is also NOT spoiler free.

The only word that immediately comes to mind when I think about describing “The Vegetarian” is strange. At a mere 192 pages, it is not long, nor is it particularly difficult to read. Han Kang’s cerebral work is nowhere near as difficult to read as the coursework in upper-level philosophy courses might be. Yet, at the same time, I wouldn’t describe “The Vegetarian” as a light read, either.

Last week, indie-rock band Foxygen released their fourth official album, “Hang.” The album follows their popular 2013 album, “We Are the 21st Century Ambassadors of Peace & Magic,” and their less well-received 2014 album, “…And Star Power.” “Hang” is the title of the last track on their previous album. However, the relationship between the previous album and the most recent release does not seem so literal, in terms of content.

Released Nov. 11, “Arrival” is a science-fiction film based on Ted Chiang’s short story, “Story of Your Life,” The film, directed by Denis Villenueve (Prisoners, Sicario) and starring Amy Adams and Jeremy Renner is an absolute triumph.
“Arrival” is one of the best movies of the year; it is a thinking person’s science fiction film in the same vein as “Interstellar,” “2001: A Space Odyssey” and “Close Encounters of the Third Kind.”

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