The AAS will have elections on April 6 for next year’s Executive Board. Amherst students will receive an email on April 6 with the link to cast votes. The following candidates will be on the ballot for the positions of president, vice president, treasurer, secretary and judiciary council chair.

President

On March 24, D.C.-based rapper GoldLink released his debut studio album “At What Cost.” The album follows two singles, “Meditation” and the widely popular “Crew.” The 2015 XXL freshman has also released two moderately successful mixtapes, so he has the background to debut as a practiced rapper with his own trademark flow and soulfulness. However, rather than rely on his tested formula in “At What Cost,” GoldLink moves to expand his scope by changing up and adding new elements to his style.

With streaming services at peak popularity, binge-watching has become the primary way most Americans consume media, and thus network television has begun a steady decline. Networks such as ABC, CBS and NBC have grown concerned for their futures as Netflix and Hulu increase their amount of original content every year. With the exception of networks such as the CW and Fox, networks are eager for a steady supply of tent-pole shows guaranteed to have viewers tune in weekly. NBC may have found that tentpole with their new family drama “This Is Us,” which just wrapped its first season.

On Saturday night, during the performance by the Quicksilver Baroque Ensemble, I realized just how strange the modern attitude towards classical music is. I use classical in the sense that it is old and instrumental non-pop music. The genre is technically baroque rather than classical. Although it is stated in the programs that the members of Quicksilver are considered “rock stars within the early music scene,” the performance felt especially formal, though I suspect this was no fault of the performers. I sat in the front row and experienced an anxious girl’s worst nightmare.

The Mead Art Museum held their Community Day for the Spring Semester, called “Fool Mead Once” on April 1, 2017. After entering the Mead that afternoon, I was immediately handed a miniature magnifying glass and a booklet advertising a scavenger hunt being held for that day. There were children constructing flipbooks and a few signs pointing me in the direction of the highlighted exhibits, Kota Ezawa’s “The Garden Revisited,” along with a series of short animated films dating back to the beginning of the 20th century.

If you are a student, you probably read the title and thought, “Obviously — what else is new?” This might stem from month-long unanswered emails from staff (my personal streak is 7 months), lack of housing accommodations for students, or recent controversies.

What’s new is an opportunity to change Residential Life from a program that enforces arbitrary and harmful policies into a department that actually serves its students.

Q: How did you start dancing and come to where you are now?
A:
I started dancing at 3 and was a tap dancer and an African dancer at a center for arts of the African diaspora. And I just kept on tapping up to the level that they said if I were to take any more classes I should start doing modern and jazz. So I kept tumbling into dance and trying different genres and never really stopped.

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