As the October chill sets in and the leaves turn all kinds of vibrant hues, it’s clear that fall is upon us. As temperatures drop, dig out your favorite old blanket, stock up on packets of Swiss Miss hot chocolate, and find a friend to keep you warm. Area coordinator LizAnette Perez knows that the fuzzier the friend, the better. She and her dog Oreo have always endured the brutal Amherst winters together. If you haven’t spent time with some of the furrier members of our community, you’ve been missing out.

Amy Dunne is gone before we ever meet her in “Gone Girl,” initiating a frenzied witch-hunt where all fingers point at her husband, Nick Dunne (Ben Affleck). The film, directed by David Fincher, is a faithful adaptation of Gillian Flynn’s 2012 novel of the same name. It’s told from the perspective of our supposed wife-killer in the days after Amy (Rosamund Pike) goes missing, as well as from the perspective of Amy Dunne herself as she reminisces about a joyful marriage gone awry via the chapters in her diary during the years and weeks leading up to her disappearance.

Capitalizing off of his highly successful 2013 horror film, “The Conjuring,” prolific Australian producer, writer and director James Wan (writer, producer or director for all of the “Saw” franchise films, the “Insidious” series, “Fast &Furious 7,” and more films) provides a compelling prequel in 2014’s “Annabelle.” Whereas The Conjuring focused on the true story of a case that Ed and Lorraine Warren, paranormal investigators famous for their investigation of the Amityville Horror as well as a house that was reportedly haunted in Connecticut during the early 1970s, the prequel does not f

Bryce Monroe ’15 performed his play, “The Lower Frequencies,” last weekend at the Powerhouse. The play, which was inspired by Ralph Ellison’s “Invisible Man,” was originally Monroe’s senior thesis. Monroe hopes “The Lower Frequencies” will grow into a touring performance for colleges all around the country. The piece is a one-man show that analyzes what it means to be black in America. Monroe aims for his work to be more than a performance; he wants it to be a learning experience and an opportunity for people to face the harsh reality of modern day racism.

“Inside Out” could not have been released at a more perfect time. After a trend of lackluster sequels to older movies, such as “Cars” and “Monster’s, Inc.”, the animation juggernaut’s 15th movie struck gold in a true return to form.

It’s impossible to regret my first trek to Marsh after experiencing the magic that is The New Rockwells. The Amherst collaboration debuted with infectious energy at this year’s first Coffee Haus, and has since gained a notable fan base. Their musical prowess is evident in both their first original song, “Where are You Tonight?” and their magnetic stage presence, which had the Marsh Coffee Haus audience clapping until their hands were numb. The group consists of recent Amherst College grads Ben Muller and Ian Stahl and UMass Amherst senior Marty Boyle.

The Amherst Symphony Orchestra opened its season on Saturday, Sept. 27 with a fresh and inspiring performance. The season preview concert, dedicated to the Amherst class of 2018, was titled “Vienna: City of Music, City of Dreams” and directed by Mark Swanson.

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